Experimental Music : Cage and Beyond
Michael Nyman
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Four Musical Minimalists : La Monte Young, Terry Riley, Steve Reich, Philip Glass
Keith (Goldsmiths, University of London) Potter
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The Music of John Cage
James Pritchett
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Boulez, Music and Philosophy
Edward (University of Aberdeen) Campbell
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The Music of Toru Takemitsu
Peter Burt
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The Music of Harrison Birtwistle
Robert (University of Nottingham) Adlington
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Twelve-Tone Music in America
Joseph N. (City University of New York) Straus
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The Stravinsky Legacy
Jonathan (University of Bristol) Cross
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The Music of Conlon Nancarrow
Kyle Gann
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Satie the Composer
Robert Orledge
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Musical Modernism at the Turn of the Twenty-First Century
David (University of British Columbia, Vancouver) Metzer
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Serial Music, Serial Aesthetics : Compositional Theory in Post-War Europe
M. J. Grant
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Musical Modernism at the Turn of the Twenty-First Century
David (University of British Columbia, Vancouver) Metzer
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The Music of Harrison Birtwistle
Robert (University of Nottingham) Adlington
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The Music and Thought of Michael Tippett : Modern Times and Metaphysics
David (University of Newcastle upon Tyne) Clarke
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Britten's Musical Language
Philip (Brooklyn College, City University of New York) Rupprecht
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Music and Ideology in Cold War Europe
Mark (University of Adelaide) Carroll
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The BBC and Ultra-Modern Music, 1922-1936 : Shaping a Nation's Tastes
Jennifer (Britten-Pears Library, Aldeburgh, UK) Doctor
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Polish Music since Szymanowski
Adrian (Cardiff University) Thomas
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Arnold Schoenberg : Notes, Sets, Forms
Silvina Milstein
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Edward Elgar, Modernist
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Schoenberg's Musical Imagination
Michael (University of Minnesota) Cherlin
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Schoenberg's Transformation of Musical Language
Ethan (University of Notre Dame, Indiana) Haimo
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The Twelve-Note Music of Anton Webern : Old Forms in a New Language
Kathryn Bailey
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