The Actor
Chris MacDonald
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Listening and Talking : A Pathway to Acting
Evan (Richard Rodgers Director of Drama, Julliard, New York Yionoulis
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Working with Actors : Meisner Technique for Directors and Actors
Stephen Bayly
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I'll Be You
Janelle Brown
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The Actor and the Space
Declan Donnellan
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Drama Menu: Second Helpings : Another 160 Tasty Theatre Games
Glyn Trefor-Jones
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Drama Games for Exploring Shakespeare
Alanna Beeken
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What Actors Do : Advice to the Players in Seven Paradoxes and a Manifesto
Mike Alfreds
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The Elemental Actor : How to Release Your Hidden Powers
Mel Churcher
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Speaking Shakespeare
Patsy Rodenburg
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Great Monologues : And How to Give Winning Auditions
Glenn Alterman
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Circus Psychology : An Applied Guide to Thriving Under the Big Top
Fleur van Rens
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Shakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Dr Abigail (The Shakespeare Institute, UK) Rokison-Woodall
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Giving Voice : The Power of Theatre for Positive Change
Carol J Maples
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Mysticism in the Theater : What’s Needed Right Now
Tom Block
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Deburau : Pierrot, Mime, and Culture
Edward Nye
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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From Playtext to Performance on the Early Modern Stage : How Did They Do It?
Leslie Thomson
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The Routledge Companion to Vsevolod Meyerhold
Jonathan Pitches
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