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French director Jean-Luc Godard's deconstruction of the process of construction, both of film narrative and The Rolling Stones' song 'Sympathy for the Devil'.
The film presents a collage for the viewer to engage with as they like.
Interweaved is footage of the Stones in the studio, writing, rehearsing and recording the famous song, and footage of a group of Black Power protestors in a used car lot, brandishing guns and reading revolutionary tracts.
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