The Improvisation Studies Reader : Spontaneous Acts
Ajay (University of Guelph, Ontario, Canada) Heble
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Acting Power : The 21st Century Edition
Robert (University of California – Irvine, USA) Cohen
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The Expressive Actor : Integrated Voice, Movement and Acting Training
Michael (University of Nevada, USA) Lugering
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In Rehearsal : In the World, in the Room, and On Your Own
Gary Sloan
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Experiencing Stanislavsky Today : Training and Rehearsal for the Psychophysical Actor
Stephanie (East Stroudsberg University, USA) Daventry French
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Integrative Performance : Practice and Theory for the Interdisciplinary Performer
Experience (Central School of Speech and Drama, UK) Bryon
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African Accents : A Workbook for Actors
Beth (Yale School of Drama, USA) McGuire
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Arthur Lessac's Embodied Actor Training
Melissa (Independent Theatre & Performance Scholar) Hurt
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Theatre and Boxing : The Actor who Flies
Franco Ruffini
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Creating Solo Performance
Sean Bruno
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The Rise and Fall of the Well-Made Play (Routledge Revivals)
John Russell Taylor
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Acting with Grotowski : Theatre as a Field for Experiencing Life
Zbigniew Cynkutis
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The Method Acting Exercises Handbook
Lola Cohen
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The Actor, Image, and Action : Acting and Cognitive Neuroscience
Rhonda (Southern Methodist University, Dallas, USA) Blair
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Theatre Arts on Acting
Laurence (Tufts University, USA) Senelick
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Stanislavsky in Focus : An Acting Master for the Twenty-First Century
Sharon Marie (University of Southern California, USA) Carnicke
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Acting Shakespeare is Outrageous! : Playing the Bard for Beginners
Herb (Associate Professor, the Division of Theatre and Dance, Parker
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The Politics of American Actor Training
Ellen (Pacific University, USA) Margolis
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The Actor Training Reader
MARK (Coventry University, UK) EVANS
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Acting from Shakespeare's First Folio : Theory, Text and Performance
Don (Tufts University, USA) Weingust
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Crossing Cultural Borders Through the Actor's Work : Foreign Bodies of Knowledge
Claudia Tatinge (Wesleyan University, USA) Nascimento
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On Stage: The Actor's First Experience
Aaron Tuttle
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Stanislavsky in Practice : Actor Training in Post-Soviet Russia
Vreneli Farber
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Expressionism and its Deformation in Contemporary Chinese Theatre
Yuwen Hsiung
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