Actors’ and Performers’ Yearbook 2024
Sam Stevenson
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Running the Room : Conversations with Women Theatre Directors
Rosemary Waugh
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Not Just George
John Lyons
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Final Curtain Call? : A History of Vulnerable British Theatres
Rodney Hardcastle
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The Drama Workshop Leader : A Practical Guide to Delivering Great Sessions
Linden Walcott-Burton
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Special Makeup Effects for Stage and Screen : Making and Applying Prosthetics
Todd Debreceni
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Conversations in Color : Exploring North American Musical Theatre
Sean Mayes
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African American Perspectives in Musical Theatre
Eric M. (Yale University, USA) Glover
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Dance in Musical Theatre : A History of the Body in Movement
Phoebe Rumsey
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Trish Arnold : The Legacy of Her Movement Training for Actors
Lizzie (RADA, UK) Ballinger
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Chekhov’s Sakhalin Journey : Doctor, Humanitarian, Writer
Jonathan (Bournemouth University, UK) Cole
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The Beginner’s Guide to Cosplay Armor & Props : Craft Epic Fantasy Costumes and Accessories with EVA Foam
Joyce van den Goor
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Redefining Theatre Communities : International Perspectives on Community-Conscious Theatre-Making
Marco Galea
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On the Subject of Fallen Things
James Kearns
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Art of Sound : Creativity in Film Sound and Electroacoustic Music
Andrew Knight-Hill
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The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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The Art of Movement : Rudolf Laban’s Unpublished Writings
Dick (Royal Holloway, University of London, UK) Mccaw
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Motion Picture and Video Lighting
Blain Brown
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Listening and Talking : A Pathway to Acting
Evan (Richard Rodgers Director of Drama, Julliard, New York Yionoulis
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Working with Actors : Meisner Technique for Directors and Actors
Stephen Bayly
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Three Yiddish Plays by Women : Female Jewish Perspectives, 1880-1920
Dr Alyssa (Yeshiva University, USA) Quint
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The Accidental Producer : How Anyone Can Get Their Show on Stage
Tim Johanson
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Social Media in Musical Theatre
Trevor Boffone
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