Elisabeth Lutyens and Edward Clark : The Orchestration of Progress in British Twentieth-Century Music
Annika (Royal Northern College of Music, Manchester) Forkert
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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The Quilting Points of Musical Modernism : Revolution, Reaction, and William Walton
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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Nancy (University of Auckland) November
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The Monstrous New Art : Divided Forms in the Late Medieval Motet
Anna (Yale University, Connecticut) Zayaruznaya
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Manuscripts and Medieval Song : Inscription, Performance, Context
Helen (Royal Holloway, University of London) Deeming
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The Operas of Maurice Ravel
Emily Kilpatrick
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The Operas of Maurice Ravel
Emily Kilpatrick
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Manuscripts and Medieval Song : Inscription, Performance, Context
Helen (Royal Holloway, University of London) Deeming
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Interwar Symphonies and the Imagination : Politics, Identity, and the Sound of 1933
Emily (King's College London) MacGregor
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Interwar Symphonies and the Imagination : Politics, Identity, and the Sound of 1933
Emily MacGregor
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Schubert's String Quartets : The Teleology of Lyric Form
Anne Hyland
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Schubert's String Quartets : The Teleology of Lyric Form
Anne (University of Manchester) Hyland
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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Composing Community in Late Medieval Music : Self-Reference, Pedagogy, and Practice
Jane D. Hatter
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel Elphick
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