Music and Performance in the Book of Hours
Michael Alan Anderson
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Performing Arts in Changing Societies : Opera, Dance, and Theatre in European and Nordic Countries around 1800
Randi Margrete Selvik
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Music Video After MTV : Audiovisual Studies, New Media, and Popular Music
Mathias Korsgaard
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Music Video After MTV : Audiovisual Studies, New Media, and Popular Music
Mathias Korsgaard
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane W. Davidson
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Music in Films on the Middle Ages : Authenticity vs. Fantasy
John Haines
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Bodily Expression in Electronic Music : Perspectives on Reclaiming Performativity
Deniz Peters
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From Music to Sound : The Emergence of Sound in 20th- and 21st-Century Music
Makis (University of Paris, France) Solomos
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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Preserving Popular Music Heritage : Do-it-Yourself, Do-it-Together
Sarah Baker
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Global Percussion Innovations : The Australian Perspective
Louise (Monash University, Australia) Devenish
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