Painting, Science, and the Perception of Coloured Shadows : ‘The Most Beautiful Blue’
Paul Smith
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Visual Culture and Pandemic Disease Since 1750 : Capturing Contagion
Marsha (Pratt Institute, USA) Morton
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Visual Culture and Pandemic Disease Since 1750 : Capturing Contagion
Marsha (Pratt Institute, USA) Morton
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Marsha (Pratt Institute, USA) Morton
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Photography, Natural History and the Nineteenth-Century Museum : Exchanging Views of Empire
Kathleen Davidson
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Science, Technology, and Utopias : Women Artists and Cold War America
Christine Filippone
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The Organic School of the Russian Avant-Garde : Nature's Creative Principles
Isabel (Jacobs University Bremen) Wunsche
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Christine Filippone
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Photography, Natural History and the Nineteenth-Century Museum : Exchanging Views of Empire
Kathleen Davidson
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Vitalist Modernism : Art, Science, Energy and Creative Evolution
Fae Brauer
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Visualizing the Body in Art, Anatomy, and Medicine since 1800 : Models and Modeling
Andrew Graciano
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Visualizing the Body in Art, Anatomy, and Medicine since 1800 : Models and Modeling
Andrew Graciano
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Andrew Graciano
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Vitalist Modernism : Art, Science, Energy and Creative Evolution
Fae Brauer
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Fae Brauer
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Fae Brauer
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Art, Technology and Nature : Renaissance to Postmodernity
Camilla Skovbjerg Paldam
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Art, Technology and Nature : Renaissance to Postmodernity
Camilla Skovbjerg Paldam
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Painting, Science, and the Perception of Coloured Shadows : ‘The Most Beautiful Blue’
Paul Smith
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Visualizing the Body in Art, Anatomy, and Medicine since 1800 : Models and Modeling
Andrew Graciano
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The Organic School of the Russian Avant-Garde : Nature's Creative Principles
Isabel (Jacobs University Bremen) Wunsche
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Painting, Science, and the Perception of Coloured Shadows : 'The Most Beautiful Blue'
Paul Smith
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Painting, Science, and the Perception of Coloured Shadows : 'The Most Beautiful Blue'
Paul Smith
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Photography, Natural History and the Nineteenth-Century Museum : Exchanging Views of Empire
Kathleen Davidson
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