Elisabeth Lutyens and Edward Clark : The Orchestration of Progress in British Twentieth-Century Music
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Polyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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Polyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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Delius and the Sound of Place
Daniel M. (University of Oxford) Grimley
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The Monstrous New Art : Divided Forms in the Late Medieval Motet
Anna (Yale University, Connecticut) Zayaruznaya
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
Nicole (University of California, Irvine) Grimes
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Composing Community in Late Medieval Music : Self-Reference, Pedagogy, and Practice
Jane D. (University of Utah) Hatter
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Daniel M. (University of Oxford) Grimley
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
Nicole (University of California, Irvine) Grimes
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Composing Community in Late Medieval Music : Self-Reference, Pedagogy, and Practice
Jane D. (University of Utah) Hatter
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel (Royal Holloway, University of London) Elphick
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick Chadwick
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Composing Community in Late Medieval Music : Self-Reference, Pedagogy, and Practice
Jane D. Hatter
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel Elphick
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
Nicole Grimes
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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The Monstrous New Art : Divided Forms in the Late Medieval Motet
Anna (Yale University, Connecticut) Zayaruznaya
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