Why Beethoven : A Phenomenon in 100 Pieces
Norman Lebrecht
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Callas Imprint: A Centennial Biography
Sophia Lambton
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Cultural Tourism and Cantonese Opera
Jian Ming (City University of Macau, China) Luo
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Picture a Day Like This (full score)
George Benjamin
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Wagner's Theatre : In Search of a Legacy
Patrick Carnegy
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Staging Voice
Michal Grover-Friedlander
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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