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Description
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
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- Format:PDF
- Pages:216 pages
- Publisher:Taylor and Francis
- Publication Date:04/01/2002
- Category:
- ISBN:9780203134665
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- Paperback / softback from £35.55
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Information
-
Download Now
- Format:PDF
- Pages:216 pages
- Publisher:Taylor and Francis
- Publication Date:04/01/2002
- Category:
- ISBN:9780203134665
