The Actor
Chris MacDonald
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Exploring Character Through Structural Metaphor : A Guide for Actors and Directors
John Gribas
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Giving Voice : The Power of Theatre for Positive Change
Carol J Maples
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The Craft of Screen Acting
Amanda Brennan
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Shakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Dr Abigail (The Shakespeare Institute, UK) Rokison-Woodall
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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Imagining the Method : Reception, Identity, and American Screen Performance
Justin Owen Rawlins
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Permission to Act
Walker Clark
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I'll Be You
Janelle Brown
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The Monologue Audition : A Practical Guide for Actors
Karen Kohlhaas
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An Actor's Work : A Student's Diary
Konstantin Stanislavski
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How Magicians Think : Misdirection, Deception, and Why Magic Matters
Joshua Jay
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Acting for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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The Revolutionary Guide to Acting : A Transformational Journey to Achieving Success in Show Business and Life
Bernard Hiller
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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An Actor Survives : Remarks on Stanislavsky
Tomasz Kubikowski
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