The Actor
Chris MacDonald
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The Craft of Screen Acting
Amanda Brennan
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Permission to Act
Walker Clark
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I'll Be You
Janelle Brown
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The Monologue Audition : A Practical Guide for Actors
Karen Kohlhaas
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Respect for Acting : Expanded Version
Uta Hagen
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How Magicians Think : Misdirection, Deception, and Why Magic Matters
Joshua Jay
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The Revolutionary Guide to Acting : A Transformational Journey to Achieving Success in Show Business and Life
Bernard Hiller
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Lessons from our Students : Meditations on Performance Pedagogy
Stacey Cabaj
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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Acting : The Basics
Bella Merlin
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Antiracism in Ballet Teaching
Kate Mattingly
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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