Acting Is Believing : Stanislavski in the 21st Century
Kenneth L. Stilson
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Performative Opacity in the Work of Isabelle Huppert
Iggy Cortez
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How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Reconstructing Performance Art : Practices of Historicisation, Documentation and Representation
Tancredi Gusman
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Acting for Animators
Ed Hooks
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Bourdieu in the Studio : Decolonising and Decentering Actor Training Through Ludic Activism
Evi Stamatiou
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Stanislavsky and Pedagogy
Stefan Aquilina
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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Adolphe Appia: Artist and Visionary of the Modern Theatre
Richard C. Beacham
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Master Classes in the Michael Chekhov Technique
The Michael Chekhov Association Micha
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On Actors And Acting
Prof. Peter Thomson
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Carole Lombard : A Bio-Bibliography
Robert Matzen
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Cary Grant : A Bio-Bibliography
Beverly Bare Buehrer
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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The Routledge Companion to Jacques Lecoq
Mark Evans
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Acting in the Academy : The History of Professional Actor Training in US Higher Education
Peter Zazzali
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Acting One
Robert Cohen
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