The Voice Coach's Toolkit
Pamela Prather
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Michael Chekhov and Sanford Meisner : Collisions and Convergence in Actor Training
Anjalee Deshpande Hutchinson
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Women, Method Acting, and the Hollywood Film
Keri Walsh
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Attention in Performance : Acting Lessons in Sensory Anthropology
Cassis (Mainz University, Germany) Kilian
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Partners of the Imagination : The Lives, Art and Struggles of John Arden and Margaretta D’Arcy
Robert Leach
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Acting for the Camera: Back to One
Peter Allen Stone
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Applied Meisner for the 21st-Century Actor
Kevin Otos
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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The Routledge Companion to Vsevolod Meyerhold
Jonathan Pitches
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In Search of Stanislavsky’s Creative State on the Stage : With a Practice as Research Case Study
Gabriela Curpan
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Lessons from The Maestro : Crafting a Successful Fight/Stunt Career in Theatre and Film
David L. (Fight Director, USA) Boushey
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Creating Improvised Theatre : Tools, Techniques, and Theories for Short Form and Narrative Improvisation
Mark Jane
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The Art of Knife Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Foundations for Performance Training : Skills for the Actor-Dancer
Cara Harker
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Mythic Imagination and the Actor : Exercises, Inspiration, and Guidance for the 21st Century Actor
Marissa (California Institute of the Arts, Los Angeles, CA) Chibas
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Actors on Guard : Training, Rehearsal and Performance Techniques with the Rapier and Dagger for the Stage and Screen
Dale Anthony Girard
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Why the Theatre : In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
Sidney (University of Florida, USA) Homan
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Latinx Actor Training
Cynthia Santos DeCure
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The Routledge Companion to Performance Practitioners
Franc Chamberlain
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To the Actor : On the Technique of Acting
Michael Chekhov
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Michael Chekhov
Franc (University of Huddersfield, Ireland) Chamberlain
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