Moves : A Sourcebook of Ideas for Body Awareness and Creative Movement
Katya Bloom
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Stanislavsky in Focus : An Acting Master for the Twenty-First Century
Sharon Marie (University of Southern California, USA) Carnicke
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Performance & Consciousness
Daniel Meyer-Dinkgrafe
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Performer Training : Developments Across Cultures
Ian Watson
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The Training of Noh Actors and The Dove
David Griffiths
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Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training : A Beginner's Guide to Knight-Thompson Speechwork®
Andrea Caban
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Re-Purposing Suzuki : A Hybrid Approach to Actor Training
Maria Porter
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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Mime into Physical Theatre: A UK Cultural History 1970–2000
Mark Evans
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The Elements of Theatrical Expression
Brian Kulick
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The Shakespeare Masterclasses
Ron Destro
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A World Elsewhere
Steven Berkoff
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Inclusive Character Analysis : Putting Theory into Practice for the 21st Century Theatre Classroom
Jennifer Thomas
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American Accent Drills for British and Australian Speakers
Amanda Quaid
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Contemporary Rehearsal Practice : Anthony Neilson and the Devised Text
Gary Cassidy
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The Routledge Companion to Performance Practitioners : Volume One
Franc Chamberlain
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Exercises for Embodied Actors : Tools for Physical Actioning
Scott Illingworth
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The Voice Coach's Toolkit
Pamela Prather
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Michael Chekhov and Sanford Meisner : Collisions and Convergence in Actor Training
Anjalee Deshpande Hutchinson
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Women, Method Acting, and the Hollywood Film
Keri Walsh
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Attention in Performance : Acting Lessons in Sensory Anthropology
Cassis (Mainz University, Germany) Kilian
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Partners of the Imagination : The Lives, Art and Struggles of John Arden and Margaretta D’Arcy
Robert Leach
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Acting for the Camera: Back to One
Peter Allen Stone
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Applied Meisner for the 21st-Century Actor
Kevin Otos
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