Crossing Cultural Borders Through the Actor's Work : Foreign Bodies of Knowledge
Claudia Tatinge Nascimento
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The Politics of American Actor Training
Ellen (Pacific University) Margolis
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Acting from Shakespeare's First Folio : Theory, Text and Performance
Don (Tufts University, USA) Weingust
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The Stanislavsky System of Acting : Legacy and Influence in Modern Performance
Rose (University of Birmingham) Whyman
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Stanislavski's Legacy
Constantin Stanislavski
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In the Company of Actors : Reflections on the Craft of Acting
Carole Zucker
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Laban for All
Jean Newlove
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Using Open Scenes to Act Successfully on Stage and Screen
Dan Carter
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The Nature of Expertise in Professional Acting : A Cognitive View
Helga Noice
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Playing Bit Parts in Shakespeare
M.M. Mahood
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El Teatro Mexicano en Cierne 1922 - 1938
Guillermo Schmidhuber
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El Teatro del Mexico Colonial : Epoca Misionera
Jerry M. Williams
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El Mito De Edipo en la Tragedia Barroca Espanola : No Hay Resistencia a los Hados
Alejandro Arboreda
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The Novelist as Playwright : Cervantes and the Entremes Nuevo
Cory A Reed
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The Theatre of Marco Antonio De La Parra : Translations and Commentary
Marco Antonio De La Parra
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The Play of Madness : A Translation of Jeu De La Feuillee by Adam D'Arras
Adam D'Arras
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Coming-to-Know : Recognition and the Complex Plot in Shakespeare
Barry B Adams
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Lope De Vega and the Comedia De Santos
Robert R. Morrison
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The Playwright Aleksandr Vampilov : An Ironic Observer
Vreneli Farber
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Alessandro Manzoni, Two Plays
Alessandro Manzoni
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Peculiar Passages : Black Women Playwrights, 1875 to 2000
Carol Allen
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German Actors of the Eighteenth and Nineteenth Centuries : Idealism, Romanticism, and Realism
Simon Williams
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Arthur Lessac's Embodied Actor Training
Melissa (Independent Theatre & Performance Scholar) Hurt
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The Professional Actor's Handbook : From Casting Call to Curtain Call
Julio Agustin
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