Brooklyn Takes the Stage : Nineteenth-Century Theater in the City of Churches
Samuel L. Leiter
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Polish Theatre Revisited : Theatre Fans in the Nineteenth Century
Agata Luksza
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Dangerous Bodies : New Global Perspectives on Fashion and Transgression
Royce Mahawatte
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Shakespeare’s Global Sonnets : Translation, Appropriation, Performance
Jane Kingsley-Smith
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Acting on Cultural Policy : Arts Practitioners, Policy-Making and Civil Society
Jane Woddis
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Word Art + Gesture Art = Tone Art : The Relationship Between the Vocal and the Instrumental in Different Arts
Hanns-Werner Heister
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Engaging with Brecht : Making Theatre in the Twenty-first Century
Bill Gelber
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Actors, Audiences, and Emotions in the Eighteenth Century : Communities of Sentiment
Glen McGillivray
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Sinophone Adaptations of Shakespeare : An Anthology, 1987-2007
Alexa Alice Joubin
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Horror on the Stage : Monsters, Murders and Terrifying Moments in Theater
Amnon Kabatchnik
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Open Hatch : The Theater Criticism of Robert Hatch, 1950-1970
James R Russo
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The Brecht Yearbook / Das Brecht-Jahrbuch 48
Professor Markus (Customer) Wessendorf
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Power and Structure in Theater : Asymmetries of Power
Thomas Schmidt
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Bernard Shaw on the American Stage : A Chronicle of Premieres and Notable Revivals
L. W. Conolly
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Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale
Martina Zamparo
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Shakespeare and Digital Performance in Practice
Erin Sullivan
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The Festival Cities of Edinburgh and Adelaide
Sarah Thomasson
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The Metamorphoses of Commedia dell’Arte : Whatever Happened to Harlequin?
John Rudlin
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Maxwell Anderson and the Marriage Crisis : Challenging Tradition in the Jazz Age
Fonzie D. Geary II
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Culture, History, and the Reception of Tennessee Williams in China
Shouhua Qi
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Gendered Identity and the Lost Female : Hybridity as a Partial Experience in the Anglophone Caribbean Performances
Shrabani Basu
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The Art of Theatre : Then and Now
Wright (University of Wyoming)
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The Art of Theatre : A Concise Introduction
William, Jr. Downs
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Lighting for TV and Film
Gerald (BBC, UK) Millerson
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