Scene Design and Stage Lighting, International Edition
Dick (Late, Carnegie Mellon University) Block
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Lighting and the Design Idea, International Edition
Linda (Arizona State University) Essig
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From Gay to Queer : Gay Male Identity in Selected Fiction by David Leavitt and in Tony Kushner's Play Angels in America I-II
Lasse Kekki
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Oesterreichische Satire (1933-2000) : Exil - Remigration - Assimilation
Michel Grunewald
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Turning the Page : Children's Literature in Performance and the Media
Fiona M. Collins
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The Representation of Parisian Speech in the Cinema of the 1930s
Michael Abecassis
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Maxim Gorky : Russian Dramatist
Cynthia Marsh
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La reception de Shakespeare en Allemagne de 1815 a 1850 : Propagation et assimilation de la reference etrangere
Roger Christine Roger
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The Positive Image of the Jew in the Comedia
Andrew Herskovits
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Le Drame Militaire En Allemagne Au Xviiie Siecle : Esthetique Et Cite
Anne Feuchter-Feler
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Musil ALS Kritiker
Nicole Streitler
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Of ‘Truths Impossible to Put in Words’ : Max Beckmann Contextualized
Rose-Carol Washton Long
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Brecht & Co. : German-Speaking Playwrights on the Australian Stage
Ulrike Garde
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Die Rezeption Maurice Maeterlincks in den deutschsprachigen Laendern (1891-1914)
Dirk Strohmann
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L'Espace Scenographique Dans Les Mises En Scene Des Pieces de William Shakespeare Au Vingtieme Siecle : Etude Appliquee Aux Scenes Francaises Et Anglaises
Estelle Rivier
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Jean Racine : Life and Legend
John Sayer
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English Renaissance Scenes : From Canon to Margins
Paola Pugliatti
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The Languages of Performance in British Romanticism
Lilla Maria Crisafulli
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Theatre in the Berlin Republic : German Drama since Reunification
Peter Rolf Lutzeier
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Du texte-hydre au texte-sphinx : Les inserts dans le theatre de Heiner Mueller
Zenetti Thomas Zenetti
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Literary Intermediality : The Transit of Literature Through the Media Circuit
Maddalena Pennacchia Punzi
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«Copia» et «cornucopia»: la poetique shakespearienne de l'abondance : la poetique shakespearienne de l'abondance
Coussement-Boillot Laetitia Coussement-Boillot
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Reason Not : Emotional Appeal in Shakespeare's Drama
Omry Smith
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Philippe Quinault, Dramatist
William Brooks
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