The Great European Stage Directors Volume 8 : Bausch, Castellucci, Fabre
Luk (University of Antwerp, Belgium) Van den Dries
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The Intimacy Coordinator's Guidebook : Specialties for Stage and Screen
Brooke M. Haney
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The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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Stage Management : Communication Design as Scenography
Michael (Guildford School of Acting, UK) Smalley
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Art of Sound : Creativity in Film Sound and Electroacoustic Music
Andrew Knight-Hill
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Speaking Shakespeare
Patsy Rodenburg
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Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
Carolyn Dowdell
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Trish Arnold : The Legacy of Her Movement Training for Actors
Lizzie (RADA, UK) Ballinger
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Redefining Theatre Communities : International Perspectives on Community-Conscious Theatre-Making
Marco Galea
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The Art of Dance Composition : Writing the Body
Jenefer Davies
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Intimacy Directing for Theatre : Creating a Culture of Consent in the Classroom and Beyond
. Ayshia Mackie-Stephenson
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Mask Making Techniques : Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
Mary C. (Professor of Costume Design, West Virginia Universit McClung
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The Cambridge Companion to British Theatre since 1945
Jen (Queen Mary University of London) Harvie
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The Arden Handbook of Shakespeare and Early Modern Drama : Perspectives on Culture, Performance and Identity
Michelle M. (University of Alabama, USA) Dowd
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FORCE Fabric : How to Draw Clothes
Mike Mattesi
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Off Book : Devised Performance and Higher Education
Heather Fitzsimmons Frey
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Insights in Applied Theatre : The Early Days and Onwards
Peter (The University of Auckland, New Zealand) O'Connor
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Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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Contemporary Farce on the Global Stage : or, Serious Laughter
David Gram
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