Dance Theory : Source Readings from Two Millennia of Western Dance
Tilden (Professor Emeritus of Music, Professor Emeritus of Mu Russell
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Everything is Choreography : The Musical Theater of Tommy Tune
Kevin (Freelance Writer, Freelance Writer) Winkler
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Ray Bolger : More than a Scarecrow
Holly (Digital Marketer, Digital Marketer, Harvard Educati Van Leuven
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Resonant Recoveries : French Music and Trauma Between the World Wars
Jillian C. (Assistant Professor of Musicology, Assistant Profe Rogers
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The Fascist Turn in the Dance of Serge Lifar : Interwar French Ballet and the German Occupation
Mark (Professor of Dance, Professor of Dance, Temple Universit Franko
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On Site : Methods for Site-Specific Performance Creation
Stephan (Director/Choreographer/Educator, Director/Choreogr Koplowitz
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Mime into Physical Theatre: A UK Cultural History 1970–2000
Mark Evans
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Liveness : Performance in a Mediatized Culture
Philip Auslander
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“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties
Tony Lidington
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Aural/Oral Dramaturgies : Theatre in the Digital Age
Duska Radosavljevic
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Curating Dramaturgies : How Dramaturgy and Curating are Intersecting in the Contemporary Arts
Peter Eckersall
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The Male Dancer : Bodies, Spectacle, Sexualities
Ramsay (De Montfort University, UK) Burt
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Making an Entrance : Dancing Out the Message Behind Inclusive Practice
Adam Benjamin
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Being Watched : Yvonne Rainer and the 1960s
Carrie (Assistant Professor, Harvard University) Lambert-Beatty
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Shelley Lasica: WHEN I AM NOT THERE
Hannah Mathews
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The Well-Dressed Puppet : A Guide to Creating Puppet Costumes
Cheralyn Lambeth
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Psychology for Dancers : Theory and Practice to Fulfil Your Potential
Cathy (Truro and Penwith College, UK) Schofield
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Introduction to Puppetry Arts
Cheralyn Lambeth
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Theatre-Rites : Animating Puppets, Objects and Sites
Liam Jarvis
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Undergraduate Research in Dance : A Guide for Students
Lynnette Young (University of Delaware, USA) Overby
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K-pop Dance : Fandoming Yourself on Social Media
Chuyun Oh
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Contemporary Dance Lighting : The Poetry and the Nitty-Gritty
Carol M. Press
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Choreography, Visual Art and Experimental Composition 1950s–1970s
Erin (University of New South Wales) Brannigan
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Starting a Theatre Company : How to Become a Theatre Maker and Create Your Own Work
Karl Falconer
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