Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Harun Farocki : Forms of Intelligence
Nora M. Alter
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Through a Noir Lens : Adapting Film Noir Visual Style
Sheri Chinen Biesen
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The Self-Sustaining Filmmaker : Creating Crowdsourced, Crowdfunded & Community-Supported Independent Film
Marty Lang
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ADR and Post-Sync Dialogue : What It Is and How It's Done
R.J. Kizer
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Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Michael (Associate Professor, Associate Professor, Wesleyan Un Slowik
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Albert Brooks : Interviews
Alexander Greenhough
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Screen Workers and the Irish Film Industry
Denis Murphy
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Music Films : Documentaries, Concert Films and Other Cinematic Representations of Popular Music
Neil (Falmouth University, UK) Fox
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Rick Baker: Metamorphosis
J. W. Rinzler
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The Complete Film Production Handbook
Eve Light Honthaner
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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The Serious Game : Ingmar Bergman as Stage Director
Egil Toernqvist
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5 – Poltergeist II: Drawings 1983–1985 : Drawings 1983-1985
H. Giger
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Refocus: the Films of William Wyler
John Price
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Secret Cinema and the Immersive Experience Industry
Sarah Atkinson
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George A. Romero's Independent Cinema : Horror, Industry, Economics
Tom Fallows
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Networked David Lynch : Critical Perspectives on Cinematic Transmediality
Marcel Hartwig
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Refocus: the Films of Denis Villeneuve
Jeri English
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Refocus: the Films of Roberta Findlay
Peter Alilunas
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Drawing the Line : Technical Hand Drafting for Film and Television
David McHenry
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