Welcome to the O.C. : The Oral History
Josh Schwartz
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Add to BasketMulti-Camera Cinematography and Production : Camera, Lighting, and Other Production Aspects for Multiple Camera Image Capture
David (Fairleigh Dickinson University, USA) Landau
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R.J. Kizer
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Jennifer S. Clark
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Donna Zakowska
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Add to BasketCue and Cut : A Practical Approach to Working in Multi-Camera Studios
Roger Singleton-Turner
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Eric Lewald
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Add to BasketColor Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles (Feirstein Graduate School of Cinema, USA) Haine
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Add to BasketFilm Editing : Emotion, Performance and Story
Julie (Senior Lecturer and Associate Lecturer, Westminster Un Lambden
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Liz (First AD and Director) Gill
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Add to BasketProduction Design : Visual Design for Film and Television
Peg McClellan
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Add to BasketMake the Cut : A Guide to Becoming a Successful Assistant Editor in Film and TV
Lori Coleman
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Add to BasketLighting for Televised Live Events : Making Your Live Production Look Great for the Eye and the Camera
James L. (Los Angeles City College, USA) Moody
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Bob Levy
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Add to BasketBeyond Television : TV Production in the Multiplatform Era
Andreas Halskov
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Add to BasketConversations with Women Showrunners
Marygrace O'Shea
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Add to BasketProduction Sound Mixing : The Art and Craft of Sound Recording for the Moving Image
John J. (Sound Operator and Director of Cinematography, USA) Murphy
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Nick (Senior Lecturer, TV Production, Bournemouth Media Schoo Bamford
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Leslie Mitchell
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Louis (Assistant Professor of Music, Assistant Professor of Mu Niebur
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Add to BasketBreaking Bad : A Cultural History
Lara C. Stache
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Add to BasketThe Fake Food Cookbook : Props You Can't Eat for Theatre, Film, and TV
Tamara Honesty
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Add to BasketScreens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Laura Frank
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Add to BasketThe Ghost in the Image : Technology and Reality in the Horror Genre
Cecilia (Senior Lectur, Senior Lectur, University of Kent) Sayad
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