Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Staging 'Euridice' : Theatre, Sets, and Music in Late Renaissance Florence
Tim (University of North Carolina, Chapel Hill) Carter
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Popular Opera in Eighteenth-Century France : Music and Entertainment before the Revolution
David Charlton
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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International Who's Who in Classical Music 2022
Europa Publications
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Women in Convent Spaces and the Music Networks of Early Modern Barcelona
Ascension Mazuela-Anguita
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Nineteenth-Century Piano Music
R. Larry (Duke University, Durham, North Carolina, USA Duke Univ Todd
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Popular Musicology and Identity : Essays in honour of Stan Hawkins
Kai Arne Hansen
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Plague and Music in the Renaissance
Remi (Loyola University Maryland) Chiu
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Women and Music in Sixteenth-Century Ferrara
Laurie (University of Huddersfield) Stras
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Mahler in Context
Charles (Pennsylvania State University) Youmans
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Singing to the Lyre in Renaissance Italy : Memory, Performance, and Oral Poetry
Blake (Dickinson College, Pennsylvania) Wilson
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The Songs of Clara Schumann
Stephen (University of Oregon) Rodgers
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Understanding the Old Hispanic Office : Texts, Melodies, and Devotion in Early Medieval Iberia
Emma (University of Bristol) Hornby
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Rachmaninoff's Recollections (Routledge Revivals)
Oskar von Riesemann
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Alma Mahler and Her Contemporaries : A Research and Information Guide
Susan Filler
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Opera and the Politics of Tragedy : A Mozartean Museum
Professor Katharina Clausius
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Women in American Operas of the 1950s : Undoing Gendered Archetypes
Professor Monica A. Hershberger
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Intimate Entanglements in the Ethnography of Performance : Race, Gender, Vulnerability
Professor Sidra Lawrence
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Insulting Music : A Lexicon of Insult in Music
Lily E. Hirsch
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The Dissemination of Music in Seventeenth-Century Europe : Celebrating the Dueben Collection- Proceedings from the International Conference at Uppsala University 2006
Peter M. Krakauer
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