Bach's Architecture of Gratitude : On the Genius of the Mass in B Minor
James Crooks
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Add to BasketBritten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Add to BasketThe International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Add to BasketResurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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The Media of Secular Music in the Medieval and Early Modern Period (1100-1650)
Vincenzo Borghetti
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The Media of Secular Music in the Medieval and Early Modern Period (1100-1650)
Vincenzo Borghetti
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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John Zorn's File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn's File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Composing for Silent Film
Jack Curtis Dubowsky
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Add to BasketItalian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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