Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Taxidermy and the Gothic : The Horror of Still Life
Elizabeth Effinger
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Queen Live!
Martin Popoff
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Spectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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How to Make Music in an Epidemic : Popular Music Making During the AIDS Crisis, 1981-1996
Matthew Jones
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Narrative Podcasting in an Age of Obsession
Neil Kanwar Harish Verma
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On Rhetoric and Black Music
Earl H. Brooks
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Cinema and Surveillance : The Asymmetric Gaze
Martin (Rice University, USA) Blumenthal-Barby
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Black British Gospel Music : From the Windrush Generation to Black Lives Matter
Dulcie A. Dixon McKenzie
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Becomings : Pregnancy, Phenomenology, and Postmodern Dance
Johanna Kirk
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Frank O. Etheridge : Musician of the African Diaspora
Ben Vinson III
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Interrogating Popular Music and the City
Shane (Monash University, Australia) Homan
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Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Hitchcock as Philosopher of the Erotic
Richard (Concordia College, USA) Gilmore
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Behind the Scenes of Indie Film Marketing : A FilmSnobbery Field Guide
Nicholas LaRue
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Chuco Punk : Sonic Insurgency in El Paso
Tara Lopez
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Stardust : Cinematic Archives at the End of the World
Hannah Goodwin
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Exploring English Lyrics : Selection and Pronunciation of English Art Song Repertoire
Cheri Montgomery
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Handel’s Messiah : The Creative Process
Amanda Babington
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Framing the Single Mother : Gender, Politics and Family Values in Contemporary Popular Culture
Louise Fitzgerald
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