Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Believing in Film : Christianity and Classic European Cinema
Mark (University College London, UK) Le Fanu
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From Moscow to Madrid : Postmodern Cities, European Cinema
Ewa Mazierska
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Withnail and Us : Cult Films and Film Cults in British Cinema
Justin (University of Portsmouth, UK) Smith
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Typical Men : The Representation of Masculinity in Popular British Cinema
Professor Andrew Spicer
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Christmas at the Movies : Images of Christmas in American, British and European Cinema
Mark Connelly
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The Hollywood Family Film : A History, from Shirley Temple to Harry Potter
Noel (Liverpool Hope University, UK) Brown
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Shooting the Civil War : Cinema, History and American National Identity
Jenny Barrett
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J. Arthur Rank and the British Film Industry
Geoffrey Macnab
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Banned in the U.S.A. : British Films in the United States and Their Censorship, 1933-1960
Anthony Slide
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Realism and Tinsel : Cinema and Society in Britain 1939-48
Robert Murphy
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J. Arthur Rank and the British Film Industry
Geoffrey Macnab
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The Lost Worlds of John Ford : Beyond the Western
Jeffrey (Lancaster University, UK) Richards
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Acting for the Silent Screen : Film Actors and Aspiration between the Wars
Chris (University of Lincoln, UK) O'Rourke
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British Children's Cinema : From the Thief of Bagdad to Wallace and Gromit
Noel (Liverpool Hope University, UK) Brown
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Cinema and Brexit : The Politics of Popular English Film
Neil (Keele University, UK) Archer
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Cinema and Brexit : The Politics of Popular English Film
Neil (Keele University, UK) Archer
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The New Scottish Cinema
Jonathan Murray
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Hollywood and the Americanization of Britain : From the 1920s to the Present
Mark Glancy
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The Crowded Prairie : Hollywood Western and American National Identity
Michael D. Coyne
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Distorted Images : British National Identity and Film in the 1920s
Kenton Bamford
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