The New European Cinema : Redrawing the Map
Rosalind (Senior Lecturer in Film Studies, University of Sussex) Galt
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Film, a Sound Art
Michel Chion
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The Impossible David Lynch
Todd (University of Vermont) McGowan
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Eye of the Century : Film, Experience, Modernity
Francesco (Universita Cattolica del Sacro Cuore) Casetti
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Intelligence Work : The Politics of American Documentary
Jonathan Kahana
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Film Studies : An Introduction
Ed Sikov
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Indie : An American Film Culture
Michael Z. Newman
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African Film and Literature : Adapting Violence to the Screen
Lindiwe Dovey
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Levinas and the Cinema of Redemption : Time, Ethics, and the Feminine
Sam B. Girgus
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Hollywood Lighting from the Silent Era to Film Noir
Patrick (Assistant Professor, Trinity University) Keating
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Film and Stereotype : A Challenge for Cinema and Theory
Jorg Schweinitz
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Pretty : Film and the Decorative Image
Rosalind Galt
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Electric Dreamland : Amusement Parks, Movies, and American Modernity
Lauren Rabinovitz
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Chinese Women’s Cinema : Transnational Contexts
Lingzhen Wang
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Hideous Progeny : Disability, Eugenics, and Classic Horror Cinema
Angela M. Smith
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American Showman : Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908–1935
Ross Melnick
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Cinematic Appeals : The Experience of New Movie Technologies
Ariel Rogers
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The Utopia of Film : Cinema and Its Futures in Godard, Kluge, and Tahimik
Christopher (Assistant Professor of Film, Simon Fraser Univers Pavsek
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Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking
Hunter Vaughan
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Maya Deren : Incomplete Control
Sarah Keller
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Deathwatch : American Film, Technology, and the End of Life
C. Scott Combs
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Plastic Reality : Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics
Julie A. Turnock
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New Tunisian Cinema : Allegories of Resistance
Robert Lang
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After the Silents : Hollywood Film Music in the Early Sound Era, 1926-1934
Michael Slowik
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