Screenwriting for Virtual Reality : Story, Space and Experience
Kath Dooley
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Who Wrote Citizen Kane? : Statistical Analysis of Disputed Co-Authorship
Warren Buckland
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Bad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds
P. McGee
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Psychoanalyzing Cinema : A Productive Encounter with Lacan, Deleuze, and Zizek
j. jagodzinski
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Media Representations of Police and Crime : Shaping the Police Television Drama
M. Colbran
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Inhabiting the In-Between : Childhood and Cinema in Spain's Long Transition
Sarah Thomas
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Inhabiting the In-Between : Childhood and Cinema in Spain's Long Transition
Sarah Thomas
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The Ways of the Word : Episodes in Verbal Attention
Garrett Stewart
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None On the Translation of Swearing into Spanish : Quentin Tarantino from Reservoir Dogs to Inglourious Basterds
Betlem Soler Pardo
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None Lolita between Adaptation and Interpretation : From Nabokov's Novel and Screenplay to Kubrick's Film
Anna Pilinska
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None Lawrence Durrell's Endpapers and Inklings 1933-1988, Volume Two : Dramas, Screenplays, Essays, Incorrigibilia
Richard Pine
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None Lawrence Durrell's Endpapers and Inklings 1933-1988, Volume One : Autobiographies, Fictions, Spirit of Place
Richard Pine
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None Reception Studies and Adaptation : A Focus on Italy
Giulia Magazzu
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The Gladiators vs. Spartacus, Volume 2 : Abraham Polonsky's Screenplay
Abraham Polonsky
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