The Birth of the Orchestra : History of an Institution, 1650-1815
John Spitzer
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The Creative Development of J. S. Bach Volume 1: 1695-1717 : Music to Delight the Spirit
Richard D. P. Jones
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Lutheranism, Anti-Judaism, and Bach's St. John Passion : With an Annotated Literal Translation of the Libretto
Michael Marissen
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A Performer's Guide to Seventeenth-Century Music, Second Edition
Jeffery Kite-Powell
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Colonial Counterpoint : Music in Early Modern Manila
D. R. M. Irving
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Timpani Tone and the Interpretation of Baroque and Classical Music
Steven L. Schweizer
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Music in the Baroque World : History, Culture, and Performance
Susan Lewis (University of Victoria, British Columbia, Canada Hammond
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Vesper and Compline Music for One Principal Voice : Vesper & Compline Psalms & Canticles for One & Two Voices
Jeffrey Kurtzman
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Vesper and Compline Music for One Principal Voice : Vesper & Compline Psalms & Canticles for One & Two Voices
Jeffrey Kurtzman
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Listening to Handel : An Owner's Manual
David Hurwitz
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New Perspectives on Handel's Music : Essays in Honour of Donald Burrows
David (Royalty Account) Vickers
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Towards Tonality : Aspects of Baroque Music Theory
Christensen Thomas Christensen
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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