Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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