Electric Dreamland : Amusement Parks, Movies, and American Modernity
Lauren Rabinovitz
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Chinese Women’s Cinema : Transnational Contexts
Lingzhen Wang
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Hideous Progeny : Disability, Eugenics, and Classic Horror Cinema
Angela M. Smith
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American Showman : Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908-1935
Ross Melnick
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The Utopia of Film : Cinema and Its Futures in Godard, Kluge, and Tahimik
Christopher (Assistant Professor of Film, Simon Fraser Univers Pavsek
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Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking
Hunter Vaughan
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Deathwatch : American Film, Technology, and the End of Life
C. Scott Combs
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Exception Taken : How France Has Defied Hollywood's New World Order
Jonathan Buchsbaum
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On the Screen : Displaying the Moving Image, 1926-1942
Ariel (Department of Communication and Media Studies, Northwes Rogers
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Attack of the Leading Ladies : Gender, Sexuality, and Spectatorship in Classic Horror Cinema
Rhona Berenstein
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Spaces Mapped and Monstrous : Digital 3D Cinema and Visual Culture
Nick Jones
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Laughing Hysterically : American Screen Comedy of the 1950s
Ed Sikov
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Black Women as Cultural Readers
Jacqueline Bobo
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The Cinema of Max Ophuls : Magisterial Vision and the Figure of Woman
Susan White
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Picturing Japaneseness : Monumental Style, National Identity, Japanese Film
Darrell William Davis
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Picturing Japaneseness : Monumental Style, National Identity, Japanese Film
Darrell William Davis
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This Mad Masquerade : Stardom and Masculinity in the Jazz Age
Gaylyn Studlar
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Sound Technology and the American Cinema : Perception, Representation, Modernity
James Lastra
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George Gallup in Hollywood
Susan (University of Notre Dame) Ohmer
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Designing Women : Cinema, Art Deco, and the Female Form
Lucy Fischer
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Astaire and Rogers
Edward Gallafent
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Shivers Down Your Spine : Cinema, Museums, and the Immersive View
Alison Griffiths
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Hollywood and the Culture Elite : How the Movies Became American
Peter (Associate Professor of Cinema Studies and English, U Decherney
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