One-Track Mind : Capitalism, Technology, and the Art of the Pop Song
Asif Siddiqi
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The Genesis and Structure of the Hungarian Jazz Diaspora
Adam Havas
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How to Make Music in an Epidemic : Popular Music Making During the AIDS Crisis, 1981-1996
Matthew Jones
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Interrogating Popular Music and the City
Shane (Monash University, Australia) Homan
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Community-based Traditional Music in Scotland : A Pedagogy of Participation
Josephine L. Miller
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Paul Weller and Popular Music : Identity, Idiolect and Image
Andrew West
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Song Means: Analysing and Interpreting Recorded Popular Song
Allan F. Moore
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Vinyl: A History of the Analogue Record
Richard Osborne
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Status Quo: Mighty Innovators of 70s Rock
Andrew Cope
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Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice
Roy Shuker
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Traditional Music and Irish Society: Historical Perspectives
Martin Dowling
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The Art of Record Production : Creative Practice in the Studio
Simon Zagorski-Thomas
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Making New Zealand's Pop Renaissance : State, Markets, Musicians
Michael Scott
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The Evolution of Jazz in Britain, 1880–1935
Catherine Tackley (nee Parsonage)
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Music, Sound, and Silence in Buffy the Vampire Slayer
Janet K. Halfyard
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The Quest for the Melodic Electric Bass : From Jamerson to Spenner
Per Elias Drablos
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The Beatles and Vocal Expression
Blaithin Duggan
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The Music and Noise of the Stooges, 1967-71 : Lost in the Future
Michael S. Begnal
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Musical Psychedelia : Research at the Intersection of Music and Psychedelic Experience
Gemma L. Farrell
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Popular Music in Spanish Cinema
Lidia Lopez Gomez
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Michael Jackson and the Blackface Mask
Harriet J. Manning
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Music, Informal Learning and the School: A New Classroom Pedagogy
Lucy Green
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