Shocking Representation : Historical Trauma, National Cinema, and the Modern Horror Film
Adam Lowenstein
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Add to BasketThe Shape of Spectatorship : Art, Science, and Early Cinema in Germany
Scott Curtis
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Add to BasketThe New European Cinema : Redrawing the Map
Rosalind (Senior Lecturer in Film Studies, University of Sussex) Galt
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Add to BasketFilm and Stereotype : A Challenge for Cinema and Theory
Jorg Schweinitz
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Add to BasketHollywood’s Copyright Wars : From Edison to the Internet
Peter Decherney
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Add to BasketMust We Kill the Thing We Love? : Emersonian Perfectionism and the Films of Alfred Hitchcock
William Rothman
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Add to BasketDreaming of Cinema : Spectatorship, Surrealism, and the Age of Digital Media
Adam Lowenstein
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Add to BasketMotion(less) Pictures : The Cinema of Stasis
Justin Remes
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Add to BasketPost-Fordist Cinema : Hollywood Auteurs and the Corporate Counterculture
Jeff Menne
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Add to BasketHollywood's Embassies : How Movie Theaters Projected American Power Around the World
Ross (Professor, Emory University) Melnick
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Add to BasketBrazilian Cinema
Randal Johnson
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Add to BasketHollywood and Hitler, 1933-1939
Thomas Doherty
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Add to BasketAfter the Silents : Hollywood Film Music in the Early Sound Era, 1926-1934
Michael Slowik
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Add to Basket"It's the Pictures That Got Small" : Charles Brackett on Billy Wilder and Hollywood's Golden Age
Anthony Slide
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Add to BasketThe Essay Film After Fact and Fiction
Nora M. Alter
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Add to BasketBombay Hustle : Making Movies in a Colonial City
Debashree Mukherjee
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Add to BasketHorror Film and Otherness
Adam Lowenstein
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Add to BasketHearst Over Hollywood : Power, Passion, and Propaganda in the Movies
Louis Pizzitola
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Add to BasketCounter-Archive : Film, the Everyday, and Albert Kahn's Archives de la Planete
Paula Amad
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Add to BasketHitchcock's Romantic Irony
Richard Allen
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Add to BasketContinental Strangers : German Exile Cinema, 1933-1951
Gerd Gemunden
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Add to BasketUnspeakable Histories : Film and the Experience of Catastrophe
William Guynn
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Add to BasketChromatic Modernity : Color, Cinema, and Media of the 1920s
Sarah Street
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Add to BasketRewriting Indie Cinema : Improvisation, Psychodrama, and the Screenplay
J. J. Murphy
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