Impersonal Enunciation, or the Place of Film
Christian Metz
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Words on Screen
Michel Chion
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Cinema by Design : Art Nouveau, Modernism, and Film History
Lucy Fischer
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Movie Journal : The Rise of the New American Cinema, 1959-1971
Jonas Mekas
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When Movies Were Theater : Architecture, Exhibition, and the Evolution of American Film
William Paul
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After Uniqueness : A History of Film and Video Art in Circulation
Erika Balsom
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Unspeakable Histories : Film and the Experience of Catastrophe
William Guynn
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Reform Cinema in Iran : Film and Political Change in the Islamic Republic
Blake Atwood
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The Essay Film After Fact and Fiction
Nora M. Alter
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Specters of Slapstick and Silent Film Comediennes
Maggie Hennefeld
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Chromatic Modernity : Color, Cinema, and Media of the 1920s
Sarah Street
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Melodrama Unbound : Across History, Media, and National Cultures
Christine Gledhill
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Anxious Cinephilia : Pleasure and Peril at the Movies
Sarah (Assistant Professor of English and Cinema Studies, Colb Keller
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Hollywood's Dirtiest Secret : The Hidden Environmental Costs of the Movies
Hunter (Assistant Professor, Oakland University) Vaughan
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Post-Fordist Cinema : Hollywood Auteurs and the Corporate Counterculture
Jeff Menne
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Cinema/Politics/Philosophy
Nico Baumbach
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Show Trial : Hollywood, HUAC, and the Birth of the Blacklist
Thomas Doherty
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On the Screen : Displaying the Moving Image, 1926-1942
Ariel (Department of Communication and Media Studies, Northwes Rogers
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Absence in Cinema : The Art of Showing Nothing
Justin (Iowa State University) Remes
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The Dynamic Frame : Camera Movement in Classical Hollywood
Patrick (Assistant Professor, Trinity University) Keating
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Rewriting Indie Cinema : Improvisation, Psychodrama, and the Screenplay
J. J. Murphy
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Play Time : Jacques Tati and Comedic Modernism
Malcolm Turvey
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Spaces Mapped and Monstrous : Digital 3D Cinema and Visual Culture
Nick Jones
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Hollywood's Artists : The Directors Guild of America and the Construction of Authorship
Virginia Wright Wexman
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