Art History after Deleuze and Guattari PDF

At the crossroads of philosophy, artisticpractice, and art history
Though Gilles Deleuze and Felix Guattari were not strictly art historians, theyreinvigorated ontological and formal approaches to art, and simultaneouslyborrowed art historical concepts for their own philosophical work. They werededicated modernists, inspired by the German school of expressionist arthistorians such as Riegl, Wölfflin, and Worringer and the great modernist artcritics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuzeand Guattari on mannerism and Baroque art has led to new approaches to theseartistic periods, and their radical transdisciplinarity has influencedcontemporary art like no other philosophy before it. Their work thereforeraises important methodological questions on the differences and relationsamong philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars fromall three fields explore what a ‘Deleuzo-Guattarian art history’ could betoday.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Contributors
Éric Alliez (Kingston University, Université Paris VIII), Claudia Blümle(Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études enSciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), JamesElkins (School of the Art Institute of Chicago), Sascha Freyberg (Max PlanckInstitute for the History of Science), Antoine l’Heureux (independentresearcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera(Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (PontificiaUniversidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabethvon Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (ErasmusUniversity Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke(independent researcher)