Die Sehnsucht zu sehen : Der filmische Blick auf dem Theater- Robert Wilsons "the CIVIL warS"
Uwe Richterich
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Wirklichkeit als Gespenst: Nirgendwo und Ueberall : Paradoxie zwischen Sein und Schein durch "Noise" aus literarischer, filmischer und medientheoretischer Perspektive
Kyunghee Kim
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Tonale «Klischees» als Ausdrucksmittel : Reminiszenzen an traditionelle Harmonik in Claude Debussys "Preludes I & II"
Gregor Fuhrmann
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Fazil Say and the Classical Music Stage as Informal Learning Space : Second, revised edition
Aylin Buran
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