Shattering Hamlet’s Mirror : Theatre and Reality
Marvin Carlson
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Shakespeare’s Global Sonnets : Translation, Appropriation, Performance
Jane Kingsley-Smith
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The Other 1980s : Reframing Comics' Crucial Decade
Brannon Costello
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India’s Biennale Effect : A politics of contemporary art
Robert E. (Robert E. D’Souza, Head of School, Winchester Scho D'Souza
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Bollywood’s New Woman : Liberalization, Liberation, and Contested Bodies
Megha Anwer
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An Actor’s Research : Investigating Choices for Practice and Performance
Tamsin Stanley
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Afrofuturism’s Transcultural Trajectories : Resistant Imaginaries Between Margins and Mainstreams
Eva Ulrike (Heinrich-Heine-University Dusseldorf, Germany) Pirker
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Staging Harriet’s House : Writing and Producing Research-Informed Theatre
Tara Goldstein
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The Screenwriter’s Roadmap : 21 Ways to Jumpstart Your Story
Neil Landau
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Shakespeare’s Auditory Worlds : Hearing and Staging Practices, Then and Now
Laury Magnus
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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The Eland’s people : New perspectives in the rock art of the Maloti-Drakensberg bushmen
Peter Mitchell
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The Business of Ballet : Diaghilev’s Ballets Russes between Profit and the Avant-garde
Ira Nadel
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Choreography, Visual Art and Experimental Composition 1950s-1970s
Erin (University of New South Wales) Brannigan
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Female Aerialists in the 1920s and Early 1930s : Femininity, Celebrity, and Glamour
Kate Holmes
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Islamic Manuscripts of Late Medieval Rum, 1270s-1370s : Production, Patronage and the Arts of the Book
Cailah Jackson
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Islamic Manuscripts of Late Medieval Rum, 1270s-1370s : Production, Patronage and the Arts of the Book
Cailah Jackson
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Women’s Amateur Theatre in Rural Britain, 1919–1945
Bonnie (Memorial University of Newfoundland, Canada) White
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Hegel and the Present of Art’s Past Character
Alberto L. (University of Pisa, Italy) Siani
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The Dissident Politics in Vaclav Havel’s Vanek Plays : Who Is Ferdinand Vanek Anyway?
Carol Strong
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Women Performers in Bengal and Bangladesh : Caught up in the Culture of South Asia (1795-2010s)
Manujendra Kundu
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Judging a Book by Its Cover : Bookbindings from the Collections of The Grolier Club, 1470s–2020
H. George Fletcher
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Food, Feminism, and Women’s Art in 1970s Southern California
Emily Elizabeth Goodman
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The Rise and Fall of American Art, 1940s-1980s : A Geopolitics of Western Art Worlds
Catherine Dossin
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