Fuseli's Milton Gallery : 'Turning Readers into Spectators'
Luisa Cale
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Writing the Lives of Painters : Biography and Artistic Identity in Britain 1760-1810
Karen Junod
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Charles Olson and American Modernism : The Practice of the Self
Mark Byers
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Charles Olson and American Modernism : The Practice of the Self
Mark Byers
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Acting Between the Lines : The Field Day Theatre Company and Irish Cultural Politics, 1980-1984
Marilynn J. (Killam Postdoctoral Research Fellow, Departmen Richtarik
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Shakespeare's Women and the Fin de Siecle
Sophie (Magdalen College, Oxford) Duncan
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Charles Olson and American Modernism : The Practice of the Self
Mark (Postdoctoral Research Associate in Archives and Poetry, N Byers
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Art, History, and Postwar Fiction
Kevin (Lecturer in Twentieth and Twenty-First Century Literatu Brazil
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Henry James and the Art of Impressions
John (Lecturer in English Literature, Lecturer in English Lit Scholar
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The Suffering Traveller and the Romantic Imagination
Carl (Lecturer in English, Nottingham Trent University) Thompson
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Fuseli's Milton Gallery : 'Turning Readers into Spectators'
Luisa (School of English and Humanities, Birkbeck College, Unive Cale
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Coleridge and Scepticism
Ben (Supernumerary Teaching Fellow in English, St John's Colleg Brice
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Clarissa's Painter : Portraiture, Illustration, and Representation in the Novels of Samuel Richardson
Lynn (, Independent scholar) Shepherd
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Stevie Smith and Authorship
William (Research Fellow in Humanities, University of Southampton May
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W.B. Yeats, the Abbey Theatre, Censorship, and the Irish State : Adding the Half-pence to the Pence
Lauren (Lecturer, Institute of Irish Studies, University of Arrington
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