Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Anna Zayaruznaya
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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer
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Johann Mattheson’s Pieces de clavecin and Das neu-eroffnete Orchestre : Mattheson’s Universal Style in Theory and Practice
Margaret Seares
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The Regulation and Reform of Music Criticism in Nineteenth-Century England
Paul Watt
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Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata
Nicholas Marston
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Regina Mingotti: Diva and Impresario at the King's Theatre, London
Michael Burden
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Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Anna Zayaruznaya
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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer
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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer
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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock
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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock
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MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164–167
Anthony M. Cummings
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MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164–167
Anthony M. Cummings
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