Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Bodily Expression in Electronic Music : Perspectives on Reclaiming Performativity
Deniz Peters
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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Preserving Popular Music Heritage : Do-it-Yourself, Do-it-Together
Sarah Baker
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Global Percussion Innovations : The Australian Perspective
Louise Devenish
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Music Performance Encounters : Collaborations and Confrontations
John Koslovsky
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Music Performance Encounters : Collaborations and Confrontations
John Koslovsky
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Shaping Sound and Society : The Cultural Study of Musical Instruments
Stephen (City, University of London, UK) Cottrell
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Shaping Sound and Society : The Cultural Study of Musical Instruments
Stephen Cottrell
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Shaping Sound and Society : The Cultural Study of Musical Instruments
Stephen Cottrell
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Sound Heritage : Making Music Matter in Historic Houses
Jeanice Brooks
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul Laird
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul Laird
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Burma, Kipling and Western Music : The Riff from Mandalay
Andrew Selth
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Community Custodians of Popular Music's Past : A DIY Approach to Heritage
Sarah Baker
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