The Jukebox Musical : An Interpretive History
Kevin Byrne
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Curating Dramaturgies : How Dramaturgy and Curating are Intersecting in the Contemporary Arts
Peter Eckersall
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The Male Dancer : Bodies, Spectacle, Sexualities
Ramsay (De Montfort University, UK) Burt
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Catgut : The Opera
Rhea Dillon
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Theatre-Rites : Animating Puppets, Objects and Sites
Liam Jarvis
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Non-representational Theory
Paul Simpson
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It's Not Personal : Post 60s Body Art and Performance
Susan (Queensland College of Art, Griffith University, Australia Best
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Performing Arousal : Precarious Bodies and Frames of Representation
Professor Julia (USA) Listengarten
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Scenography and Art History : Performance Design and Visual Culture
Astrid Von (University of Gothenburg, Sweden) Rosen
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I'm a Phoenix, Bitch
Bryony (Author) Kimmings
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Georg Buchner's Woyzeck
Karoline Gritzner
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Parker, Lopez and Stone's The Book of Mormon
Brian Granger
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Staging British South Asian Culture : Bollywood and Bhangra in British Theatre
Jerri (Exeter University) Daboo
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The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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Performance Art : Education and Practice
Angeliki Avgitidou
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Clowns : In Conversation
David Bridel
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Choreography, Visual Art and Experimental Composition 1950s–1970s
Erin (University of New South Wales) Brannigan
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Stages of Reckoning : Antiracist and Decolonial Actor Training
Amy Mihyang Ginther
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Unlimited Action : The Performance of Extremity in the 1970s
Dominic Johnson
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Rehearsals of Manhood : Athenian Drama as Social Practice
John J. Winkler
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Lightwork : Texts on and from Collaborative Multimedia Theatre
Alex (Guildhall School of Music and Drama) Mermikides
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Constance Dejong: Reader
Constance Dejong
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Starting a Theatre Company : How to Become a Theatre Maker and Create Your Own Work
Karl Falconer
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