Performance Art in Portugal
Claudia Madeira
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Witch Fulfillment: Adaptation Dramaturgy and Casting the Witch for Stage and Screen
Jane Barnette
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Choreomata : Performance and Performativity after AI
Roberto Alonso Trillo
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Staging Difficult Pasts : Transnational Memory, Theatres, and Museums
Maria M. Delgado
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Transmedial Perspectives on Humour and Translation : From Page to Screen to Stage
Loukia Kostopoulou
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Of Kings and Clowns : Leadership in Contemporary Egyptian Theatre Since 1967
Tiran Manucharyan
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Exploring Character Through Structural Metaphor : A Guide for Actors and Directors
John Gribas
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The Different Faces of Politics in the Visual and Performative Arts
Mario Thomas Vassallo
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Theatre and the Threshold of Death : Lectures on the Dying Arts
Kathleen (Academic Marketing) Gough
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Conceptual Performance : Enacting Conceptual Art
Nick Kaye
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Opera and Drama
Richard Wagner
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Burning Man : Learning from Heterotopia
Linda Noveroske-Tritten
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Screened Stages : On Theatre in Film
Rachel Joseph
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Choreographing Dirt : Movement, Performance, and Ecology in the Anthropocene
Angenette Spalink
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Performance Inc : Global Performativity and Mediated Resistance
Jon McKenzie
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Performing Folk Songs : Affect, Landscape and Repertoire
Dr. Elizabeth (Lecturer in Drama, University of Essex, UK) Bennett
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This Is Not My World : Art and Public Space in Socialist Zagreb
Adair Rounthwaite
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Probabilistic Aesthetics of the Avant-Gardes : Predictive Arts
Konrad Wojnowski
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Simone Forti : Improvising a Life
Ann Cooper Albright
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Playwriting, Dramaturgy and Space
Sara (University of Puget Sound, Washington) Freeman
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Meaning in the Midst of Performance : Contradictions of Participation
Gareth White
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Being an Artist. Julio Gonzalez
Juan Jose Lahuerta
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Caroline Bergvall’s Medievalist Poetics : Migratory Texts and Transhistorical Methods
Joshua (Senior Lecturer in Medieval Literature in the Departme Davies
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