Theory for Theatre Studies: Bodies
Soyica Diggs (Georgetown University, USA) Colbert
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The Roots of Amerta Movement : An introduction to the movement improvisation of Suprapto Suryodarmo
Lise Lavelle
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Edward Albee's Who's Afraid of Virginia Woolf?
Michael Y. Bennett
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Questors, Jesters and Renegades : The Story of Britain's Amateur Theatre
Michael Coveney
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Unlimited Action : The Performance of Extremity in the 1970s
Dominic Johnson
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Living in the Magical Mode : Notes from the Book of Minutes of a Guild of Shy Sorcerers
Phil Smith
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Gender, Sex, and Sexuality in Musical Theatre : He/She/They Could Have Danced All Night
Kelly (DePaul University) Kessler
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Dramaturgy: The Basics
Anne M. Hamilton
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Introduction to Speechwork for Actors : An Inclusive Approach
Ron (Yale School of Drama, USA) Carlos
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Laura Wade: Plays One
Laura (Author) Wade
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Peter Grimes
Sam Kinchin-Smith
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Live Art in the UK : Contemporary Performances of Precarity
Maria (University of Hull, UK) Chatzichristodoulou
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Unlimited Action : The Performance of Extremity in the 1970s
Dominic Johnson
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Lightwork : Texts on and from Collaborative Multimedia Theatre
Alex (Guildhall School of Music and Drama) Mermikides
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Bergson and Durational Performance : (Re)Ma(r)king Time
James (University of the West of Scotland) Layton
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Constance Dejong: Reader
Constance Dejong
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Parker, Lopez and Stone's The Book of Mormon
Brian Granger
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It's Not Personal : Post 60s Body Art and Performance
Susan (Queensland College of Art, Griffith University, Australia Best
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Performing Arousal : Precarious Bodies and Frames of Representation
Professor Julia (USA) Listengarten
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Scenography and Art History : Performance Design and Visual Culture
Astrid Von (University of Gothenburg, Sweden) Rosen
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I'm a Phoenix, Bitch
Bryony (Author) Kimmings
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Rock Songs : story about walk about story about walkabout story
Nick Sales
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Meaning in the Midst of Performance : Contradictions of Participation
Gareth White
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