Figurations of Peripheries Through Arts and Visual Studies : Peripheries in Parallax
Maiju (University of the Arts Helsinki, Finland) Loukola
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Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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Claes Oldenburg's Theater of Vision : Poetry, Sculpture, Film, and Performance Art
Nadja (University of Michigan-Dearborn, MI) Rottner
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A History of Latinx Performing Arts in the U.S. : Volume I
Beatriz J. Rizk
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A History of Latinx Performing Arts in the U.S. : Volume II
Beatriz J. Rizk
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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Inter-Asia in Motion : Dance as Method
Emily (William & Mary, USA) Wilcox
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Audience Data and Research : Perspectives from Cultural Policy, Arts Management and Practice
Steven (The University of Dublin, UK) Hadley
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Unbelonging : Inauthentic Sounds in Mexican and Latinx Aesthetics
Ivan A. Ramos
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Radical Intimacy in Contemporary Art : Abjection, Revolt, and Objecthood
Keren (School of Visual Arts, USA and The New School, USA) Moscovitch
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From Mimetic Translation to Artistic Transduction : A Semiotic Perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht.
Dinda Gorlee
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Jacques Lecoq and the British Theatre
Franc (University College, Cork, Ireland) Chamberlain
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The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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The Routledge Companion to Butoh Performance
Bruce (University of Massachusetts, Amherst, USA) Baird
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Theatre, Exhibition, and Curation : Displayed & Performed
Georgina Guy
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Science & Theatre : Communicating Science and Technology with Performing Arts
Emma (University of the West of England, UK) Weitkamp
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Performance and the Politics of Space : Theatre and Topology
Erika Fischer-Lichte
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The Routledge Companion to Puppetry and Material Performance
Dassia N. Posner
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The Politics of Interweaving Performance Cultures : Beyond Postcolonialism
Erika Fischer-Lichte
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Music-Dance : Sound and Motion in Contemporary Discourse
Patrizia Veroli
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New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
Martin (University of Leeds) Iddon
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Acting in the Academy : The History of Professional Actor Training in US Higher Education
Peter Zazzali
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Bergson and Durational Performance : (Re)Ma(r)king Time
James (University of the West of Scotland) Layton
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Performance Generating Systems in Dance : Dramaturgy, Psychology, and Performativity
Pil (University of Calgary) Hansen
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