Edward Albee's Who's Afraid of Virginia Woolf?
Michael Y. Bennett
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Questors, Jesters and Renegades : The Story of Britain's Amateur Theatre
Michael Coveney
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Living in the Magical Mode : Notes from the Book of Minutes of a Guild of Shy Sorcerers
Phil Smith
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Performance Studies: The Basics
Andreea S. Micu
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Dramaturgy: The Basics
Anne M. Hamilton
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The Gestures of Participatory Art
Sruti Bala
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Live Art in the UK : Contemporary Performances of Precarity
Maria (University of Hull, UK) Chatzichristodoulou
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Live Visuals : History, Theory, Practice
Steve Gibson
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Peter Grimes
Sam Kinchin-Smith
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Introduction to Speechwork for Actors : An Inclusive Approach
Ron (Yale School of Drama, USA) Carlos
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Laura Wade: Plays One
Laura (Author) Wade
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Parker, Lopez and Stone's The Book of Mormon
Brian Granger
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Constance Dejong: Reader
Constance Dejong
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It's Not Personal : Post 60s Body Art and Performance
Susan (Queensland College of Art, Griffith University, Australia Best
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I'm a Phoenix, Bitch
Bryony (Author) Kimmings
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Rock Songs : story about walk about story about walkabout story
Nick Sales
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Anarchy of the Body : Undercurrents of Performance Art in 1960s Japan
KuroDalaiJee
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Choreographing Dirt : Movement, Performance, and Ecology in the Anthropocene
Angenette Spalink
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Female Playwrights and Applied Intersectionality in Romanian Theater
Catalina Florina Florescu
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Towards an Ecocritical Theatre : Playing the Anthropocene
Mohebat Ahmadi
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Playwriting, Dramaturgy and Space
Sara (University of Puget Sound, Washington) Freeman
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Playwriting, Dramaturgy and Space
Sara (University of Puget Sound, Washington) Freeman
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Staging Voice
Michal Grover-Friedlander
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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