The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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Performance Art : Education and Practice
Angeliki Avgitidou
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Clowns : In Conversation
David Bridel
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Choreography, Visual Art and Experimental Composition 1950s–1970s
Erin (University of New South Wales) Brannigan
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Stages of Reckoning : Antiracist and Decolonial Actor Training
Amy Mihyang Ginther
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Off Book : Devised Performance and Higher Education
Heather Fitzsimmons Frey
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Constance Dejong: Reader
Constance Dejong
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Starting a Theatre Company : How to Become a Theatre Maker and Create Your Own Work
Karl Falconer
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Improvised Dance : (In)Corporeal Knowledges
Nalina (Australian College of Physical Education, Australia) Wait
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Rock Songs : story about walk about story about walkabout story
Nick Sales
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Finland's National Theatre 1974–1991 : The Two Decades of Generational Contests, Cultural Upheavals, and International Cold War Politics
Pirkko Koski
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ASHE : Ritual Poetics in African Diasporic Expression
Paul Carter Harrison
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Towards an Ecocritical Theatre : Playing the Anthropocene
Mohebat Ahmadi
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Eugene O'Neill's Philosophy of Difficult Theatre : Pity, Fear, and Forgiveness
Jeremy Killian
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Touring Performance and Global Exchange 1850-1960 : Making Tracks
Gilli Bush-Bailey
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Reading Religion and Spirituality in Jamaican Reggae Dancehall Dance : Spirit Bodies Moving
'H' Patten
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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French Theatre, Orientalism, and the Representation of India, 1770-1865 : India Lost and Regained
David Hammerbeck
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Performing the Wound : Practicing a Feminist Theatre of Becoming
Niki Tulk
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Commedia dell’Arte for the 21st Century : Practice and Performance in the Asia-Pacific
Corinna (University of South Australia, Australia) Di Niro
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Circus and the Avant-Gardes : History, Imaginary, Innovation
Anna-Sophie Jurgens
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Playing and Playgoing in Early Modern England : Actor, Audience and Performance
Simon (Shakespeare Institute, University of Birmingham) Smith
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Aeschylus' Oresteia : Translation and Theatrical Commentary
Michael Ewans
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