Robotic Vision and Virtual Interfacings : Seeing, Sensing, Shaping
Luci Eldridge
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The Cambridge Companion to William Morris
Marcus (University of Cambridge) Waithe
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Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century : The Imprint of Women, c. 1700–1830
Cristina S. (University of Ottawa) Martinez
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Ceramic Masterpieces : Art, Structure and Technology
Pamela B. Vandiver
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The Contemporary History Play : Staging English and American Pasts
Benjamin (University of York, UK) Poore
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Anatomical Drawing : A Scenographic Intersection Between Science, the Visual Arts and Performance
Sue (Senior Lecturer in Performance Design, UNSW Art and Design Field
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The Art Gallery on Stage : New Vistas on Contemporary British Playwriting
Mariacristina Cavecchi
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Antiquity in Print : Visualizing Greece in the Eighteenth Century
Daniel Orrells
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The Middle Helladic Pottery
Lindsay C. Spencer
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Hyakunin’shu : Reading the Hundred Poets in Late Edo Japan
Joshua S. Mostow
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Contemporary Farce on the Global Stage : or, Serious Laughter
David Gram
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Architecture and Choreography : Collaborations in Dance, Space and Time
Beth Weinstein
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Playbuilding as Arts-Based Research : Health, Wellness, Social Justice and Higher Education
Joe Norris
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Polychrome Art in the Early Modern World : 1200–1800
Ilenia (University of Central Florida, USA) Colon Mendoza
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Screened Stages : On Theatre in Film
Rachel Joseph
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Shakespeare and (Eco-)Performance History : The Merry Wives of Windsor
Elizabeth Schafer
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The American Musical : Evolution of an Art Form
Ben West
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Design Education in the Anthropocene
Paul A. (University of Strathclyde, UK) Rodgers
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Dancing with Georges Perec : Embodying OuLiPo
Leslie Satin
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Dramaturgy to Make Visible : The Legacies of New Dramaturgy for Politics and Performance in Our Times
Peter Eckersall
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Essential Programming for the Technical Artist
Chris Roda
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Essential Programming for the Technical Artist
Chris Roda
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The Most Important Art : Soviet and East European Film After 1945
Mira Liehm
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