French Paintings 1500–1900
Michael Clarke
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Revolving Documents—Narrations of the Beginnings
Sabine Gebhardt Fink
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Lipchitz : a Cubist Sculptor and His Legacy in Hungary
Judit Gesko
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Itziar Barrio
Johanna Burton
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Francis Alys. The Nature of the Game
Gerard-Jan Claes
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Capture Japan : Visual Culture and the Global Imagination from 1952 to the Present
Marco (Associate Professor in Visual Communication at Nottingham Bohr
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Laugh Lines : Caricaturing Painting in Nineteenth-Century France
Julia (Trinity College Dublin, Ireland) Langbein
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Materials, Practices, and Politics of Shine in Modern Art and Popular Culture
Antje (Goethe University Frankfurt, Germany) Krause-Wahl
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Jeanne Mammen : Art Between Resistance and Conformity in Modern Germany, 1916-1950
Camilla (University of Birmingham, UK) Smith
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Philosophical Skepticism as the Subject of Art : Maria Bussmann’s Drawings
David Carrier
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Deleuze and the Map-Image : Aesthetics, Information, Code, and Digital Art
Dr Jakub (University of Ottawa, Canada) Zdebik
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Art and the Politics of Visibility : Contesting the Global, Local and the In-Between
Zeena Feldman
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The Politics of Vietnamese Craft : American Diplomacy and Domestication
Jennifer (University of North Texas, USA) Way
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Serial Drawing : Space, Time and the Art Object
Joe (American University of Sharjah, UAE) Graham
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The First Viral Images : Maerten de Vos, Antwerp Print, and the Early Modern Globe
Stephanie (Assistant Professor, Tulane University) Porras
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The Declaration in Script and Print : A Visual History of America’s Founding Document
John (Curatorial Chair, The Morgan Library) Bidwell
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I Talk about It All the Time
Camara Lundestad Joof
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Contemporary Farce on the Global Stage : or, Serious Laughter
David Gram
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Architecture and Choreography : Collaborations in Dance, Space and Time
Beth (University of Arizona, Tuscon, Arizona, USA) Weinstein
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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The American Musical : Evolution of an Art Form
Ben West
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Border Crossings and Mobilities on Screen
Ruxandra (Edge Hill University, United Kingdom) Trandafoiu
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Documentation as Art : Expanded Digital Practices
Annet Dekker
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