Reclaiming and Redefining American Exhibitions of Russian Art
Roann (Radford University, USA) Barris
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Robert Smithson, Land Art, and Speculative Realities
Rory (The New School, USA.) O'Dea
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Contagion, Hygiene, and the European Avant-Garde
David (University of Glasgow, UK) Hopkins
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Art History, Narratology, and Twentieth-Century Chinese Art
Lian (Concordia University in Montreal, Canada.) Duan
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The Revival of Beauty : Aesthetics, Experience, and Philosophy
Catherine (University of Notre Dame, Australia) Wesselinoff
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Hegel and the Present of Art’s Past Character
Alberto L. (University of Pisa, Italy) Siani
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Fashion: Seductive Play
Eugen (Late of University of Freiburg, Germany) Fink
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Faith in Art : Religion, Aesthetics, and Early Abstraction
Professor Joseph (Hofstra University, USA) Masheck
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Art and Creativity in an Era of Ecocide : Embodiment, Performance and Practice
Anna (Swansea University, UK) Pigott
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Radical Intimacy in Contemporary Art : Abjection, Revolt, and Objecthood
Keren (School of Visual Arts, USA and The New School, USA) Moscovitch
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Images of Childhood : A Visual History From Stone to Screen
Professor Emeritus Paul (University of Illinois, USA, and Univ Duncum
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Plants by Numbers : Art, Computation, and Queer Feminist Technoscience
Dr. Jane (Professor and Associate Dean Research & Creative Wo Prophet
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Charting Space : The Cartographies of Conceptual Art
Elize Mazadiego
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Die verlorene Spur : Asthetische Reflexionen zur Schraffur in der Vormoderne
Elvira Bojilova
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Das Werk im Zentrum : Kunstgeschichte mit Objekten aus dem Stadel Museum und der Liebieghaus Skulpturensammlung
Berit Wagner
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Arts, Entrepreneurship, and Innovation
Joanna Woronkowicz
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Through the Scope of Life : Art and (Bio)Technologies Philosophically Revisited
Maria Antonia Gonzalez Valerio
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Ordering Colours in 18th and Early 19th Century Europe
Tanja C. Kleinwachter
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The Surviving Image : Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art
Georges Didi-Huberman
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A Philosophy of Mass Art
Noel (Monroe C. Beardsley Professor of Philosophy, Monroe C. Carroll
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The Signature Style of Frans Hals : Painting, Subjectivity, and the Market in Early Modernity
Christopher D.M. Atkins
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Economy : Art, Production and the Subject in the 21st Century
Angela (Edinburgh College of Art, University of Edinburgh Dimitrakaki
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Giotto and the Orators : Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition
Michael Baxandall
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Aesthetics : A Reader in Philosophy of the Arts
David Goldblatt
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